First, an UPDATE to add thanks to
Lisa and
Diane for inviting me to be part of this fascinating and helpful blog hop!
I've been selling my work at craft shows since the late
1980s and I should feel like an expert at this point but I
don’t! Sure, I know how to do all the tasks associated with applying to, making
inventory for, setting up at, and selling at a show. But each time holiday show
season comes around I am gripped with the same manic/panic energy. Will I have
enough inventory? Will my right people show up at this event? Do I have new
items for repeat customers? How can I make my display work to my best
advantage?
Preparing for holiday shows is a big project that spans many
months. In order to handle all these questions I take them in bite sized
pieces.
Setting up my show
schedule:
There’s so much I could say about choosing which shows to
apply to, what it’s like relying on unpredictable and juried holiday shows for
a large chunk of your income (I generally make HALF my entire year’s revenue
between October and December), and what happens when you don’t get in or the
show is discontinued, or two great shows are scheduled for the same weekend, but
that’s for another post.
I’ll just mention applying to shows. A lot of big holiday
shows that don’t happen until December will put applications online well before
August. It’s good to be on their mailing lists as well as keep an eye on social
media for when applications are up so you don’t miss deadlines. Not that that’s
ever happened to me, ahem. (Yes it has.)
If you get in, (not everyone gets in!) there’s a moment of
euphoria and relief which lasts about 15 minutes. After that the manic/panic
probably sets in. Or if the show date is far enough away, a blissful denial
will wash over you instead. Until roughly September 15th.
If you aren't sure if your right people, customers who will
connect specifically with your products, will be at the shows you are thinking
of applying to, you can either apply and take a chance or you can spend a
season just attending, as a buyer, all the shows you are considering and see
for yourself before you make an investment.
My inventory
struggles:
 |
| Inventory making in process |
Here’s the thing, my product line is WAY TOO BIG. I make too
may different things. I have a lot of trouble keeping my super labor-intensive
inventory stocked fully. But I have not appeared to have learned anything from
this painful fact. Everything I make sells pretty well and I only
rarely discontinue items that really just will not move. Each year I swear I will start making things earlier in the season but it’s my
experience that without the threat of a date certain, a looming deadline, I
will mosey along making things here and there until about September 15
th
(as noted above). That’s when I will get serious and start crying when I
realize the size of the workload I've saddled myself with and vow to start in
April next year. Rinse, repeat.
 |
| Here I am overwhelmed by inventory making |
That being said I haven’t really figured out the best way to
stock efficiently. I've tried making only one thing for one week (say full
sized pincushion cupcakes), but in a job of production craftwork which is all
about being OK with repetition and a certain amount of tedium (salved with hundreds
of hours of podcasts and intravenous caffeine) that method really tests the
limits of patience and focus. So I've tried broadening out and working in one
medium (needle felting, for example, or polymer clay) for a few weeks at a
time, completing a few of each item every day, thereby getting a variety of
items made, keeping from going batty and/or really getting sick of something, but
giving up a bit of that production mode efficiency.
 |
| Sleepy Sheep ornaments in progress |
This year I’m trying something slightly different. I've
started a bunch of needle felted items and I've been working this way for a few
weeks. The idea is to get the base parts made and embellish a few to the end
here and there when I get bored making the starter pieces. But this makes me
worry I won’t be able to finish making each item to the final step and still
leave time for working in another medium because I could spend a month making
just base parts and still not have any finished product. I’ll let you know how
this works out.
 |
| Me, gleefully felting wool |
I’m still never really sure how much is enough. Each maker
has their own inventory level that makes them feel like they have everything
under control. No-one else can see it though. You’ll come across a table filled with
goods and tell your maker friend “Wow, looks great! You got so much made!” and
they’ll cringe and sigh and say “But I’m missing ____”. In general I want a base minimum of
a dozen of each product for each show, idealistically 36+ so there’s plenty of
overstock and color variety. Not sure I've ever achieved that but you gotta
have goals.
 |
| Finished inventory |
Any maker will tell you it is super hard to predict which
item will be the big hit at a show. And what might be a hit at one might be a
dud at another. It’s exhilarating to realize one of your products is selling like
hotcakes (mmmm, cake) but totally agonizing to run out of it before a show is
over knowing you could have made more sales if only you’d known. This is
probably the primary panic-fuel that production crafters operate on.
Another thing I think about is making new items for repeat
customers. If I don’t come up with fresh goods I know I will get a lot of
friendly folks walking by my table with arms folded and warm smiles saying “Oh
I love those, I got one last year.” And that’s the end of the exchange. Boo. A
lot of my ideas for new items or even just fun new variations on existing
products come in October when inventory making is at its peak frenzy (and I am
not yet a November production zombie). That point in the season seems to be when the
creative ideas part of my brain is really cooking but there’s no time for new
product development because INVENTORY.
I've tried writing the October ideas down to tackle in quiet
February but that hasn't worked for me. Apparently I need that frenzied
production energy to follow through on new ideas because production is research
and development and is not always successful. That takes time and it takes a
mental toll. Now I try to allow time to sneak in product development in the
midst of everything else I’m doing. If I can’t get the items to a finished
state for the current season at least I’ve got more to start with next October
when I’ll undoubtedly get ideas for tweaking them to success or it will be
clear I can ditch them and try something else.
My displays
I have a habit in my home, and also in my studio and with my
table set up, of finding something that works and just sticking with it
forever. I might tweak it or add new display pieces over time but I’m not big
into a total display overhaul each season like I know some makers are. I just
don’t have that kind of brain. Do I wish a Display Optimizer Fairy would alight
on my shoulder and guide me to the perfect craft show table arrangement? I
might. On the other hand, I do like my display and it works just fine.
If you are setting up for the first time or want to test a
new arrangement I recommend setting your table up in your studio or home and
taking a picture when you get it where you like it. Check out Flickr for craft
show display inspiration but DON’T COPY SOMEONE ELSE’S LOOK. Goodness, sorry, I
didn't mean to yell there. You already know not to copy.
 |
| Six foot table craft show set up |
 |
| 8 foot studio gallery set up |
One thing to keep in mind is you might have everything
perfectly arranged for a 6 foot space but arrive the morning of the show to
find you've got 8 feet. Or a corner! Which is all good, but totally changes
everything you planned. Alternately I saw a vendor completely thrown because
she only had 6 feet when she thought she had 8. Bring extra table covers and
display pieces. You might have to improvise on the spot.
Selling what I make
 |
| Insane crowd at a good holiday show |
That said, selling is a skill, and it’s work. Very few items
sell themselves. I know a lot of makers are introverts and selling their things
is excruciating at the same time it is so gratifying to get that positive
feedback. It can also be crushing when people say rude and thoughtless things.
I don’t have much advice on being more comfortable with selling if that really
is not fun for you. But I will say if you really hate it I give you full
permission to never do shows! Sell online or through shops. No need to torture
yourself. But if you don’t hate it, you just feel awkward, keep at it, you will improve over time.
So that’s what I've been thinking about lately as I prep for
3 big holiday shows plus
Open Studios this year. Check out my schedule in the sidebar and stop by if you’re local! Or
find me in my
Etsy shop or at the shops listed to the right that carry my work.
Please check out these other posts on the topic of tackling
a big creative project!
